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Not so far away from the borders of Karnataka, during the decline of the Vijayanagara Empire, a young governor named Junga Nayak took charge to fortify a region susceptible to attacks from the Kakatiyas, the Palegars, and the Bahamanis. This led to the construction of multiple internal structures within the Rayadurgam hills, forming an entire complex at a height of approximately 831 meters. Today, visitors are drawn to explore the historical significance of the Rayadurgam Fort.
Story of Rayadurgam Fort
Not so far away from the borders of Karnataka, during the decline of the Vijayanagara Empire, a young governor named Junga Nayak took charge to fortify a region susceptible to attacks from the Kakatiyas, the Palegars, and the Bahamanis. This led to the construction of multiple internal structures within the Rayadurgam hills, forming an entire complex at a height of approximately 831 meters. Today, visitors are drawn to explore the historical significance of the Rayadurgam Fort.
Though some parts of the fort are now in ruins due to the ravages of wars, the military acumen of our strategising medieval ancestors is encapsulated in every stone that forms this citadel. The fort not only encompasses the military conflicts that raged on either side of its walls but is also blessed with temples exhibiting excellent regional architecture that graces its domain. The walls of the King's Hill fort narrate the tales of the dynasties that rose and fell along with them, while the temples bestow sacredness upon the land. Both elements intertwine into beautiful and intricate drapes of silk as well. The silk sarees created by the indigenous Rayadurga artisans on traditional looms have become one of the reasons why the place attracts visitors. Purchasing a saree in Rayadurga is a unique experience for anyone interested in witnessing the entire process of silk production and the hands that create these wonderful drapes.
Rayadurgam, located a few kilometres from Anantapur in Andhra Pradesh, has become a part of many vacationers' itineraries due to the blend of historical and sacred ambience offered by the fort built by Junga Nayak. He represents the characteristic system associated with the Vijayanagara Empire – the Amara-Nayankara pratha, where provinces were allotted to Nayaks who acted as feudal lords or protectors of the provincial administration on behalf of the empire. Interestingly, the founders of the Vijayanagara Empire were also two brothers who were chieftains of the Sangama dynasty and called themselves the Rayas. The history of Rayadurga is a roller coaster ride from one dynasty to another, each claiming sovereignty over this resourceful land.
The death of Rama Raya, the chief minister of the empire in this region, in the battle of Talikota or Rakshasa Tangadi, was a death knell for the decline of the Vijayanagara Empire. It catalysed a wave of individual Nayaks declaring themselves as sovereigns of the provinces they had previously managed. Amidst this transition, Rayadurgam came under the Vellore Nayak dynasty, much to the chagrin of the Rayadurgam Palegars who were earlier ousted by the emperor, replacing them with a new chieftain. It was during this time that the vantage point of this hill, which had been contested by every dynasty in the race to gain power, was renamed Bhupatirayakonda. Junga Nayak seems to have belonged to the Vellore dynasty, as he extended some existing structures on the hilltop into a citadel with multiple layers, making it nearly impossible to capture simultaneously.
However, many rulers presided within this complex of forts for short intervals, with the Katatiyans regaining some control over Junga Nayak but soon being overpowered by the forces of the Deccan Sultanates, only to be ousted once again by Junga's son, Koneti Nayak. By then, many parts of the fort lamented the woes of destruction, which Koneti's son, Venkatpathi Nayak, made significant efforts to salvage by reconstructing and strengthening the fortifications further. However, their efforts were short-lived as the Tiger of Mysore annexed Rayadurgam and its fort, adding it to the map of the Gooty province. Yet, the heritage of Rayadurga goes beyond the military conflicts, as evidenced by the four caves with carvings of Siddhas on their little stony doors, intriguing visitors with their mysterious presence and history. However, the fifteen villages that reside around the foot of these politically frayed hills are more interested in worshipping the deities of the temples adorning the hillock, which have for centuries witnessed the consequences of human struggle in the webs of moh-maya, than in the history of dynasties.
One wonders what Osman Deka must have thought or planned when he blended the structures, carvings, and shapes of Hindu Vijayanagara architecture with the interiors of Islamic style and theme, despite belonging to Assam. This architect, whose name is inscribed for us to know, epitomised the harmony of India's architectural heritage by capturing the aerodynamics needed for the hot seasons of Rayadurga. The attention to detail in allowing the free flow of the slightest breeze throughout the complex at different heights of the hill, without making it dense despite the layers of fortification, is exceptional in its utility. The steps ascending towards the fort and its hidden sacred temples were also a matter of contention for the chief architect, Desaraja Nayak, who refused the construction of any steps, as he rightly felt that the feeling of an unreachable citadel would be lost otherwise.
Steps or no steps, the fort of Rayadurga still stands on the Kurnool-Bangalore highway and will never be left alone as a complex of forgotten walls steeped in historical political upheavals, nor will it escape the caves that tickle the thrills of exploration or fail to attract shraddhalu to the ringing mandir ki ghanti on this hill. To connect the medieval past with the present of Rayadurgam is the Indian garment intricately hand-woven in silk, along with other flourishing cloth industries that have mushroomed and provide employment to the residents.
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